Keith describes his work as "modern, in the true sense of the word",  and when pressed to describe his style he says, "I feel my work is  American Tonalist, with a bent toward Realist,  Romantic, Idealistic, Post- impressionist, Impressionist. I know that sounds confusing yet I can only say these are the art movements that have had the greatest impacts on my work,”  Huey paints the natural beauty that surrounds him. His expressive power and color harmony helps him to communicate to the viewer his profound respect for nature.  "When you look at one of my paintings the first thing I desire is that you feel it deep with-in your soul."

            "Painting el Plein Air painting is one of the my greatest pleasures in the production of a fine art.” John Carlson said that “an artist who is going to paint landscapes must visit nature often."

Keith studied portrait painting for 2 years with William Kufuhl at the Westlake School of Art. 

Huey has traveled to South Africa, Zimbabwe, Germany, Italy, France, Spain, Greece, Switzerland, and Austria, and Painted for three winters in Hawaii, 3 1/2 month in Alaska, The Yukon, and the Queen Charlotte Islands in BC Canada.

"William Faulkner said something to the effect , ""Art is painting animated reality, which is life, so that 100 years from now it can be re-animated, because it is life ........ "." This  is the grand enterprise I'm involved in"

How Did You Paint That: 100 Ways to Paint Landscapes, Vol. 1

FROM THE PUBLISHER From the best artists working in the world today comes an instructive and inspirational new series-How Did You Paint That? Covering a spectrum of popular topics, this series provides beginning and advanced artist of all mediums with detailed examples of the myriad ways in which to portray the featured subject. Each title includes 100 different interpretations of the topic, and each interpretation is accompanied by valuable firsthand feedback from the artist, including the colors and brushes used, along with the artist's methodology, challenges, and motivation. Readers will also find suggestions and exercises from the painters, allowing them to apply the lessons of masters to their own masterpieces.